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Pleyel made the instrument, with serial number 14810, available to Chopin, already seriously ailing at the time, in the fall of 1848. “We’re very, very close to the character and the identity of this instrument when we put the correct strings on, everything else being in very good condition,” McNulty told The Associated Press on Thursday.
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Paul McNulty is spending days at the Frederic Chopin Museum in Warsaw filling in some cracks in the soundboard and putting in wire strings like the ones used by Paris piano manufacturer Camille Pleyel - Chopin’s favorite - in 1848. expert who is giving it back its original mid-19th century characteristics. The human soul flees in the Berceuse to the land of dreams.WARSAW, Poland (AP) - The last piano on which Frederic Chopin played and composed in Paris is being renovated by a U.S. He described it as “pure tone-color music and a source of inspiration. Finck declared, “Mendelssohn in A Midsummer Night’s Dream and Weber in Oberon have given us glimpses of dreamland, but Chopin’s Nocturnes take us there bodily, and plunge us into reveries more delicious than the visions of an opium eater.” And Alexandre Dumas, a close friend and admirer of Chopin’s music, was absolutely entranced by the Berceuse written in 1844. The fact is that Chopin composed a substantial number of works under the influence of opium. According to an unconfirmed report by the French music critic Bernard Gavoty, “Chopin walked away from the piano in the middle of a performance because he saw strange creatures emerging from the instrument.” On a different occasion, Chopin described seeing “a cohort of phantoms, which called out for him, embraced him… and he had to push away their skeletal faces and fought under their icy hands.” Whether these hallucinations were the result of temporal lobe epilepsy-as is currently argued-or the side effect of his tuberculosis medication is still hotly debated. From his correspondence we do know that Chopin suffered from extensive hallucinations. To ease his suffering, Chopin used laudanum drops on a spoonful of sugar on a regular basis. Hector Berlioz wrote the Symphonie fantastique in an opiate haze, and George Crabbe’s Peter Grimes was deeply opium-inspired. Rather predictably, opium also played an important role in the musical world. Sir Walter Scott, who wrote two chapters of The Bride of Lammermoor while medicating severe abdominal cramps, confessed that “he could not remember a single word of what he had written, but suggested the opium chapters to be his best.”įrédéric Chopin: Berceuse, Op. Keats wrote his greatest odes under the influence Shelley’s laments, Schiller’s ballads, Novalis’s mysterious hymn and “Murger’s brilliant vignettes of Bohemian life and countless other treasures of Romantic literature,” owe their existence to opium.
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It was, according to Keats “a magical conspiracy between opium, tuberculosis and God.” Thomas de Quincey suggested that it intensified perceptions and disinhibited impulses, and great poets such as Coleridge attributed some of their most memorable works to the transcription of opium dreams.
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Under the brand name “Laudanum,” it provided relief for tuberculosis sufferers and concurrently became the fashion drug of Romanticism. The English doctor Thomas Sydenham speedily invented a purplish concoction mixing opium and alcohol. Opium had reached central Europe in the 17th century, first imported from India and subsequently from Turkey. To manage the agonizing effects of late-stage tuberculosis, Chopin habitually reached for opium, the one available remedy that eased his suffering and placed his mind into an exalted state of existence. The rest I shall find one of these days without their help.” As we all know, Chopin died aged 39 with the autopsy revealing an enlargement of the right heart chamber due to the heart having to pump against the resistance of the diseased lungs. “All of them agree on climate, rest and taking things easy. “…the doctors palpate around, but don’t help me…” Chopin wrote to Solange, the daughter of George Sand. Over the next 10 years, the infection was temporarily kept in check, but by 1848 things had taken a turn for the worse. At age 25, Chopin had started to cough blood as the first symptoms of the advanced disease manifested themselves. The most likely source of infection seems to have been his sister Emilia or his father, as both died from the same disease. After Frédéric Chopin was seen by three physicians in Mallorca in 1838, he wrote, “…in the last three weeks, I was sick like a dog, three of the best known physicians of the whole island came to examine me… the first said that I was as good as dead, the second that I was dying, and the third that I shall die.” Chopin, like the rest of central Europe, had struggled his entire life with a tuberculosis infection.